Best & Worst: 2010 Oscars
To fill the hours leading up to their red carpet coverage, the hosts on TV Guide Network resorted to interviews with a couple of actors covered in blue makeup pretending to be Na’vi exploring the area of Hollywood around the Kodak Theatre. Sometimes there actually are enough hours in the day. Too many, in fact. (Al Seib / Los Angeles Times)
Former model
Back in the ‘70s, it was considered uncool to even show up at the Academy Awards. In the ‘80s and ‘90s it was OK to show up, but not cool to spend too much time on the red carpet -- the big stars always waited until the last minute. This year, many of the top nominees, including
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“If fashion was porn, this is the money shot!” Gabourey Sidibe said of her gown. (Jason Merritt / Getty Images)
An outstanding song-and-dance number from
Poor planning, Adam Shankman. (Kevin Winter / Getty Images)
That would be winning an Oscar, and accepting it from
When Miley Cyrus, left, and actress Amanda Seyfried were verbally tripping over the teleprompter, the 17-year-old Cyrus begged forgiveness, noting it was her first time on the Oscar stage at the Kodak Theatre. Oh memories -- they can go so young. Cyrus actually introduced a song from “Enchanted” on the Oscar stage in 2008. (Mark J. Terrill / Associated Press)
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Blasted in the media for allegedly not doing enough promotional appearances on behalf of
When his design team won the art direction Oscar for “Avatar,” the cameras cut to a reaction shot of Cameron. He could be seen mouthing, “Point over there!” -- to where the winners were emerging from the audience. (Kevin Winter / Getty Images)
The award for the evenings most uncomfortable acceptance speech goes to documentary short subject winners Roger Ross Williams and Elinor Burkett. After winning for “Music by Prudence,” Williams took off down the aisle, leaving Burkett behind. Williams then began to accept, but Burkett interrupted him, saying, “Let the woman talk.” Burkett then spoke until the pair were played off the stage. (Kevin Winter / Getty Images)
Judd Nelson,
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Someone in the control room has a sense of humor. After hosts
Ah yes,
The conventional wisdom is that
Throughout this awards season, the media have made a big deal of the fact that fellow directing nominees and ex-husband and wife Cameron and Bigelow would surely have a knock-down, drag-out fight in the race to the gold statue. Cameron and Bigelow have both done their best to squash that story line, but, hey, check out the two between acts during the show. Nothing but, uh, hugs, right? (Robert Gauthier / Los Angeles Times)
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We can’t help but think the night’s resurrected interpretive dance sequence served no purpose other than dragging out an already-exhausting show and making producer Adam Shankman happy. (OK, and it also reminded us that Hans Zimmer’s score for “Sherlock Holmes” was the best and only good thing about the
“Did I really earn this or did I just wear y’all down?” Bullock joked, accepting the lead actress prize for “The Blind Side.” The night before, she won the award for worst actress for the little-seen “All About Steve.”
In one of the night’s more memorable -- and coherent, bonus! -- speeches, she was ever gracious to her fellow nominees. “Gabby, I love you so much... Carey, your grace, beauty and talent make me sick... Helen, I feel like we’re family.” Of course,
Kathryn Bigelow’s history-making win for director was the Oscar moment of the night, right down to her reaction to hearing Barbra Streisand say, “The time has come,” before announcing her name.
In winning the award for “The Hurt Locker,” Bigelow became the first woman to ever win the prize. “This is the moment of a lifetime,” she said. (Robert Gauthier / Los Angeles Times)
After a very long-winded ceremony in which nominees names were read multiple times, it was nice that Hanks, presenting best picture, just cut to the chase and opened the envelope. If only all the presenters could have been as concise. (Kevin Winter / Getty Images)
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The Na’vi are no laughing matter. It was almost a minute into
We’re not experts in the Na’vi language here, but Stiller translated his opening rant to the audience. “That means, ‘This seemed like a better idea in a rehearsal.’ It was between this and the Nazi uniform, but the show seemed a little Hitler-heavy.”
But here’s what was most shocking about Stiller’s outfit: Subtract the computer